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           Accelerating or Abating:


           The Impact of



                  AI on Art











           What’s real and what’s not? As Artificial  vulnerability. If software can generate
           Intelligence (AI) reshapes the creative   intricate visuals and meet market demands
           industry, the line between human-made    in mere seconds, it raises a critical question
           and AI-generated works has gradually     for the future of traditional artistry: are
           blurred. This digita l ambiguit y was    human artists and designers still required
           recently illustrated in a viral experiment   when a much more efficient tool can
           by an anonymous conceptual artist who    mimic their genius?
           posted a cropped image of a real 1915    A Designer’s Journey:
           Claude Monet painting on X, falsely
           claiming that it was an AI-generated       A Foundation of  Originality
           fa ke. The post unleashed a f lood of    To understand how the next generation
           c r i t i c i s m f r o m u s e r s w h o q u i c k l y   of creators is navigating this digital
           dismissed the genuine masterpiece as     evolution, we sat down with Ms Zoe Kwok,
           “incoherent” and “obvious AI slop”.  As   a designer whose  journey  ref lects a
           technology gains the ability to simulate   deep-rooted commitment to original
           styles that once took a lifetime to master,   vision. Ms Kwok, previously a St. Marian,
           the creative industry faces unprecedented
                                                    holds a unique perspective shaped by
                                                    both her early artistic beginnings in
                                                    Hong Kong and her current international
                                                    experience in Sweden.

                                                    Ms Kwok’s passion began as a student
                                                    at SMCC, creating art while creating
                                                    promotional material for different clubs,
                                                    such as the Chinese Debate Club and
                                                    the Red House, and working as a Designer
                                                    for the School Drama. Recalling her
                                                    fruitful teenagehood  at  SMCC,  Ms  Kwok
           The  blurred  lines  of  the  digital  age:  Claude   reminisces, “I rea l ly t hin k t hat it’s
           Monet’s Water Lilies (c.1915), which became   amazing that for Form 5 students, we
           the center of a viral online experiment
           exposing  our  growing  collective  paranoia   could have the freedom, we could have
           over AI-generated art.                   the chance to create the stage (and) to
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